Wades into complex waters with verve and humour
—Australian Arts Review
Telethon Kid is one of 2023’s most interesting productions
—Lilithia Reviews
With its intelligent insights and well crafted humour, this play warmly invites audiences to think about lived experiences and ethical matters most of us have probably barely considered before
—Limelight
Funny precisely where it is dark and provocative
—The Guardian
Careens from funny to uncomfortable to revealing
—The Age
Superbly written, brilliantly performed
—The Blurb

Sam’s adoring subscribers would describe him as an icon, and Instagram’s honey of disability pride. Sam would describe himself as having one foot in the grave, the other in the bed of his latest hook up—turns out a rare degenerative disease is just what you need to live a little #itsgivingblessed

After rising to fame as the poster child of Perth Children’s Hospital 2007 Telethon, Sam reunites alongside his paediatric doctor-come-lover when they are nominated for a coveted research grant from big pharma. In a sexy ethical nightmare, the influencer's platform probes the shortcomings of an industry that repeatedly fights those whom it’s meant to help.

Comedian, thought leader, and disabled ingenue Alistair Baldwin’s debut comedy starring Ashley Apap, Max Brown (Nosferatu), Effie Nkrumah and William Rees, and directed by Besen Family Artist Program 2020 alumni Hannah Fallowfield gleefully straddles the ambiguities of doctor-patient relationships and agency for self-expression.

Access Ticket Bookings & Access Guide Information

Malthouse is committed to ensuring that everyone has an opportunity to enjoy the performances and programs we offer. Telethon Kid offers $40 tickets to Auslan Interpreted, Audio Described and Relaxed performances.

 

 Auslan Interpreted Performances 

7pm Fri 4 Aug* & 7pm Tue 8 Aug

*The performance on 4 Aug is both Auslan Interpreted and Audio Described.

Book Tickets for Fri 4 Aug

BOOK TICKETS FOR TUE 8 AUG

Or enter the promo code AUSLAN when booking tickets to Auslan Interpreted Performances

 

 Audio Described Performances 

7 pm Fri 4 Aug* & 7pm Wed 9 Aug

*The performance on 4 Aug is both Auslan Interpreted and Audio Described.

BOOK TICKETS FOR FRI 4 AUG

BOOK TICKETS FOR WED 9 AUG

Or enter promo code AUDIO when booking tickets to Audio Described performances.

 

 Relaxed Performances 

1.30pm (matinee) Sat 12 Aug

BOOK TICKETS FOR SAT 12 AUG

Or enter the promo code RELAXED when booking tickets to Relaxed performances.

 

Access Guide & Services

Download the Telethon Kid Access Guide by Zoe Boesen.

Download Access GUIDE

DOWNLOAD SCREEN READER FRIENDLY ACCESS GUIDE

Malthouse Access Services

Alistair Baldwin Headshot

Writer /

Alistair Baldwin

Hannah Fallowfield Headshot

Director /

Hannah Fallowfield

Ashley Apap Headshot

Cast (Evie) /

Ashley Apap

Max Brown Headshot

Cast (Doc) /

Max Brown

Effie Nkrumah Headshot

Cast (KT) /

Effie Nkrumah

William Rees Headshot

Cast (Sam) /

William Rees

MARK PRITCHARD Headshot

DRAMATURG /

MARK PRITCHARD

Christina Smith  Headshot

SET & COSTUME DESIGNER /

Christina Smith

Rachel Lee  Headshot

LIGHTING DESIGNER /

Rachel Lee

Danni A. Esposito  Headshot

COMPOSITION & SOUND DESIGNER /

Danni A. Esposito

Cointha Walkeden  Headshot

STAGE MANAGER /

Cointha Walkeden

Amy Cater Headshot

INTIMACY COORDINATOR /

Amy Cater

Zoe Boesen Headshot

DISABILITY CULTURE & ACCESS CONSULTANT /

Zoe Boesen

VOCAL COACH /

Suzanne Heywood

VIDEO CREATION /

Peter Frith

INTERN (STAGE MANAGEMENT) /

Jessica Smart

INTERN ( WARDROBE) /

Mikailah Looker

INTERN (SET & COSTUME) /

Kiara Brown

CAMPAIGN IMAGE & PRODUCTION TRAILER /

Tamarah Scott

Event & ticketing details

Accessibility

Download the working Telethon Kid Access Guide (screen reader friendly Access Guide).

See here for more information on accessibility at Malthouse.

Malthouse is equipped with a Hearing Assistance System. Please ask our front-of-house staff upon arrival if you would like to make use of this service.

 

For more detailed access information, please feel free to contact Zoe Boesen (Access Consultant) by phone: 0402 331 448 or via email: zoe@loom.org.au

Performance Times

PREVIEWS /
7pm, Fri 28 Jul
7pm, Sat 29 Jul
7pm, Mon 31 Jul
7pm, Tue 1 Jul
OPENING NIGHT /
7pm, Wed 2 Aug
IN SEASON /
7pm, Tue – Sun
1.30pm, Sat
AUSLAN INTERPRETED /
7pm, 4 & 8 Aug
TIME TO TALK /
7pm, Tue 8 Aug
AUDIO DESCRIBED /
7pm, Wed 9 Aug
RELAXED PERFORMANCE /
1.30pm, Sat 12 Aug

Tickets

All online orders incur a $4 booking fee per order

Duration

90 mins approx. (no interval)

Content notes

This production contains use of smoke, haze and dynamic sound, derogatory and coarse language, discussions of disability, chronic illness and chronic pain, grooming and medical consent, death and dying, sexual assault and drug consumption, and depictions of ableism, sexual intimacy, partial nudity, death, alcohol consumption, medical procedures, and medical and hospital imagery, devices and treatments.

All warnings are subject to change, please check back closer to the time of performance for an updated list of potentially sensitive content. 

FREQUENT COARSE AND DEROGATORY LANGUAGE

The following coarse language is used frequently throughout the show:

Fuck, Fucking

The following derogatory terms and coarse language is used on occasion throughout the show:

Fugly, Faggot, Cocky bastard, Bitch, Genetic alien, Inbred

 

SEXUAL INTIMACY BETWEEN CONSENTING INDIVIDUALS AND PARTIAL NUDITY

There are multiple moments of explicit sexual intimacy between the characters of Sam and Doc. These simulations include but are not limited to: kissing, caressing, peer masturbation and anal sex. There is no full nudity on stage.

There is a scene where the ghost of Sam kisses Doc. During the kiss, Sam’s body becomes a corpse again. 

 

FREQUENT DISCUSSION OF DISABILITY, CHRONIC ILLNESS AND CHRONIC PAIN

The story is set at a fictional conference for rare diseases. The audience meets the character of Sam, who has compound heterozygous titin myopathy type 2a. The audience also follows the story of Evie who has Rheumatoid Arthritis and ADHD. Consequently, there is frequent discussion surrounding both Sam and Evie’s specific disabilities, as well as disability in general – including but not limited to treatments and medical trials, the medicalization and pathologizing of disabled people, infantilization and paternalism within the medical system, the desexualizing of disabled bodies, and the monetization and exploitation of disability and chronic illness in the medical industry.

 

FREQUENT DEPICTIONS OF ABLEISM

There are frequent depictions of ableism within the text. This includes but is not limited to:

Disabled people being reduced to their medical diagnoses

Non-disabled characters telling disabled characters how they should feel, what decisions to make and what they should do with their bodies

Denial of personal agency, particularly as it relates to disabled women

Infantilization and paternalism within the medical system and broader society

The desexualizing of disabled people

Monetization and exploitation of disability and chronic illness

Abuse of power dynamics by non-disabled characters in positions of authority

Pity and the victimization of disabled people

Charity and non-disabled heroism

Multiple discussions about medical conditions being named after the non-disabled doctors who researched them, instead of the disabled people who experience them

Devaluation of the lived experience of disabled people

 

FREQUENT DEPICTIONS OF MEDICAL AND HOSPITAL IMAGERY, DEVICES AND TREATMENTS

Including but not limited to:


Syringes

Stock video of healthy children depicting sick children

Microscopic images of internal tissue

Pills and other medications

 

DISCUSSION OF GROOMING AND MEDICAL CONSENT

After having sexual relations, the characters of Sam and Doc have a detailed discussion about whether Doc groomed Sam, and the ethics, blurred lines and nuances of medical consent.

 

REFERENCES TO DEATH, DYING AND MORTALITY

Throughout the show, there are multiple references to death, dying and mortality.

In a light-hearted manner, the character of Sam references multiple occurrences of nearly dying as a child.

There are multiple conversations surrounding mortality, and what it means to truly live.

  

REFERENCES TO SEXUAL ASSAULT

There is a plotline in the play where Doc is investigating a series of sexual assaults committed by a doctor who attempted to pass them as medical examinations, specifically an examination of the lymph nodes, to his patients. The fictional medical corporation in the piece, Geneuris, covers the assaults up. The perpetrator is not a character we see on stage and no sexual assault is depicted on stage. 

 

DEPICTIONS OF ALCOHOL CONSUMPTION  

There are multiple occurrences where the characters depict the consumption of alcohol and being intoxicated. 

  

DEPICTION OF A MEDICAL PROCEDURE 

At the end of the play, the character of Doc depicts undertaking a tissue extraction procedure on a corpse. 

 

REFERENCES TO DRUG CONSUMPTION 

There are multiple mentions of the consumption of weed but no character takes any onstage

 

PRODUCTION WARNINGS
 
Use of loud and dynamic sound

Partial nudity – actors in underwear.

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