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PERFORMANCE / OPERA
THE CHILDREN’S BACH

Music Andrew Schultz
Libretto Glenn Perry
Director Chris Kohn
Music Director Brett Kelly
Lighting Designer Richard Vabre
Designer Dale Ferguson
Sound Designer Russell Goldsmith
Performers James Egglestone, Kathryn Grey, Dimity Shepherd,
Andrea Carcassi, Tess Duddy


The Children’s Bach is a new opera based on the celebrated novel by Helen Garner. It is a contemporary story set on the banks of Merri Creek in inner-suburban Melbourne. Dexter and Athena live in a ramshackle house with no TV and an outside loo. But they are comfortably happy although life with their disabled son, Billy, has taken its toll. Against this family crashes another, Phillip, Elizabeth and Vicki: urbane, musical and stylish. And like most crashes there’s collateral damage.

Despite the title this production is not suitable for children

The title comes from a collection of musical exercises (ed E Harold Davies. Allens & Co 1933) designed to teach people how to play Bach, and Bach is like Life really and, like Bach, Life needs practice.

15 Performances from 20 June – 5 July, Merlyn Theatre


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PERFORMANCE / THEATRE
Melbourne Theatre Company Studio Season
BLACKBIRD
By David Harrower

BECKETT THEATRE
JULY 17 – AUGUST 16

Best New Play – 2007 Olivier Awards

The most powerful drama of the season.... A miracle.’  The New York Times

Ray thought he had escaped his past: a change of name, a change of town and a fresh start put distance between his new self and the old self he wishes he could forget. But one day at work, an unhappy young woman, Una, arrives to confront him with her pain and anger and it all comes flooding back. But what does she want? Closure? Justice? Revenge? Or some need she could never allow herself to acknowledge?

A tough-minded play about a tough subject, Blackbird refuses simple moral distinctions of good and evil. It examines the heart, whose reasons are often unclear, turbulent, contradictory and dark.

Featuring Greg Stone and Alison Bell
Director Peter Evans
Set and Costume Designer Christina Smith
LX Designer Matt Scott
Composer Ben Grant

Warning: For mature audiences. Not suitable for children.

Book at Malthouse Theatre Online Box Office or at 03 9685 5111

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DANCE / THEATRE
AXEMAN LULLABY

CHUNKY MOVE STUDIO
111 STURT STREET SOUTHBANK
AUG 7 - 17

Choreography Phillip Adams
Composer David Chisholm
Costumes Doyle Burrow
Musicians Duo Sol
Performers Carlee Mellow, Clair Peters, Jo White and Stuart Shugg

Axeman Lullaby is set to premiere in August this year and is promising to deliver a sense of occasion like no other, in true BalletLab form.

Artistic Director Phillip Adams has turned his attention to the historical Australian competitive sport of Wood chopping.

Axeman Lullaby is a collaborative exploration and reflection on the physical and climatic characteristics of Australian wood chopping and early Victorian bush settlements. Underpinning this new work is the desire to recreate a sense of Australian cinematic landscapes. In the mid 70s and early 80s Australian cinema produced a flood of films that captured a raw and experimental identity about suburban and indigenous myth. These films offered a somewhat serial and eerie portrayal about our past and unsettled future.

The powerful image of a man swinging an axe in the forensic nightmare of Thomas Keneally The Chant of Jimmy Blacksmith is like the prevailing electric atmosphere and air of danger while watching a wood chopping competition.

Please note this production will be held at Chunky Move Studios (across the courtyard from the CUB Malthouse) but tickets are sold through the Malthouse Box Office, on sale from June 9.


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PERFORMANCE / THEATRE
Bell Shakespeare and Queensland Theatre Company present
ANATOMY TITUS FALL OF ROME
A SHAKESPEARE COMMENTARY BY HEINER MÜLLER

Translated by Julian Hammond
Directed by Michael Gow
Starring John Bell

MERLYN THEATRE
NOV 26 – DEC 6

Give me a staff of honor for mine age,
But not a sceptre to control the world.

In a powerful new co-production with Queensland Theatre Company, Michael Gow  directs an extraordinary work, Anatomy Titus Fall of Rome by renowned German director and playwright, Heiner Müller, a reworking of Shakespeare’s Titus Andronicus.

Set in Rome in the aftermath of war between the Romans and the Goths, Titus Andronicus, an honourable war general, returns to his home only to find himself caught in a sordid web of unrest and upheaval, on both political and personal fronts. As Titus moves from triumph to tragedy through the shattering consequences of revenge, the message of the futility of war and animus is resounding.

A tale of grim, grinding brutality with revenge at its dark heart, this is a sharply political work that speaks as much to the contemporary polemic as to Ancient Rome. Anatomy Titus Fall of Rome, starring John Bell as Titus, is a production of breathtaking theatrical power.

Previews 26 & 27 November
Opening Night 28 November
Season 29 November - 6 December
Matinee 6 December
Meet Bell Shakespear 2 December

Performance times
Monday 6.30pm
Tuesday - Saturday 7.30pm
Saturday Matinee 1.30pm
Meet Bell Shakespeare 5:45pm

Also touring to Brisbane, Canberra & Sydney

Meet Bell Shakespeare

Meet Bell Shakespeare is a free briefing where you’ll meet the director and cast, and get an insight into the creative vision that has inspired our shows. To reserve your free seat/s call 02 8298 9038.


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