Malthouse Theatre

JULY 3 - JULY 25

Happy Days

MALTHOUSE THEATRE PRESENTS

HAPPY DAYS

BY SAMUEL BECKETT
DIRECTOR MICHAEL KANTOR
SET AND COSTUME DESIGNER ANNA CORDINGLEY
LIGHTING DESIGNER PAUL JACKSON
SOUND RUSSELL GOLDSMITH

WITH PETER CARROLL & JULIE FORSYTH

LIFE. SHE’S UP TO HER NECK IN IT.

Samuel Beckett was a humorist. Not that you’d guess it from the reverential tones used to describe the great Nobel Laureate absurdist, or the stern- faced portraits glaring back at you from show programs. At the heart of his plays are nonsensical situations, with a strange familiarity, played out by buffoons not unlike ourselves.

In Happy Days, the interdependence of joy and sorrow, faith and despair are enjoined in classic Beckett fashion. Winnie, buried in a mound, still greets each day with a smile, applying her makeup and dutifully packing and unpacking her bag (the reassurance of a revolver within arm’s reach!). Her husband, Willie, burrows somewhere behind her, occasionally scanning the daily news or lending a mumbled reply to her probing questions. Her’s might not be the ideal life, but should a happy day come her way she’ll seize it with both hands. Buried slowly beneath the mire of an indifferent universe, Winnie offers the bravest response possible. She persists.

Michael Kantor once again takes a modern masterpiece and distils its abiding essence to produce a theatrical experience acutely insightful and unexpectedly moving. Julie Forsyth, winner of the 2008 Helpmann Award for Best Supporting Actor for her hilariously tragic performance in Exit the King, joins 2009 Helpmann Award winner Peter Carroll to take us all to the brink in a tour de force performance of this legendary work.

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HAPPY DAYS
JULY 3 - JULY 25
MERLYN THEATRE
AT THE C.U.B. MALTHOUSE

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SUBSCRIBE TO SEASON TWO '09
SESSION TIMES / PRICES

NOVEMBER 4 - DECEMBER 16
BELVOIR STREET THEATRE, SYDNEY

PRESS & CONVERSATION

REVIEW: THE AUSTRALIAN, JULY 10, 2009

REVIEW: AUSTRALIAN STAGE ONLINE, JULY 14, 2009

REVIEW: THE AGE, JULY 19, 2009

“IT HAS BEEN SAID, MOSTLY BY LUNATICS, THAT OF ALL SAMUEL BECKETT’S PLAYS, HAPPY DAYS IS HIS MOST CHEERFUL, SIMPLY BECAUSE THE MORE TALKATIVE OF ITS TWO CHARACTERS – WINNIE – CLINGS TO HER RITUALS AND POSSESSIONS WITH THE OPTIMISM OF THE WELL AND TRULY DAMNED WHILE EXTOLLING THE VIRTUES OF ‘ANOTHER HEAVENLY DAY.”

CHICAGO TRIBUNE

“JULIE FORSYTH IS A LIVING LEGEND… SHE RETURNS IN ONE OF THE GREAT PLAYS OF THE 20TH CENTURY, SAMUEL BECKETT’S HAPPY DAYS. IF ANYONE YOU KNOW HAS A TICKET AND YOU HAVEN’T: STEAL IT.”

DIANA SIMMONDS, STAGE NOISE